By concept a musician, with a bent for theory and analysis,
integrated with academic studies, independent research,
instrument and composition skills (oboe, piano, voice,
instrumental and electronic composition).
Conceives of his progression in sound as an inspired opportunity,
both elective and casual, for communication and relationing.
Founder, critic or activist of productive, organizational
and didactic realities (including Acusmatica, Aida, Artenauti,
Futura, Surphase), promoting contemporary creation and
rituality.
(Zürich 1967) has studied Electroacoustic Composition
with Giorgio Nottoli; Oboe with Bruno Incagnoli and
Andrea Whitcomb; Composition with Edgar Alandia and
Aldo Clementi. He has written Instrumental Music for
solo instruments, and chamber ensembles, Electronic
Music for solo intruments, electronics and tape. Recently
devoting to Acousmatics, at present working to improve
Experimental Live Sets.
Member participant of Adriano Lanzi’s instrumental
improvisation group, has been part of the “Futura”
Electronic Music Festival crew in France. Lately among
the promoters of “Surphase” and “Acusmatica”,
projects mainly focusing on Experimental and Braindance
Electronics.
|
 |
|
